Tapes

Transparent blue MC with a two-page booklet (Limited to 100 copies). About the album "Infectious Vermin," the debut album by Rats of Gomorrah, emerges as a formidable exploration of the depths of human despair and societal decay, drawing heavily from the rich literary tradition of H.P. Lovecraft. The German duo, known for their bold sonic experimentation, delve into themes of pestilence and chaos with a sound that is an evolution from traditional death metal to a more complex fusion that incorporates elements of heavy and speed metal. This album does not simply regurgitate tired clichés but instead refines its core death metal roots with crust-infused riffs and memorable choruses that echo through the darkness. Formed by seasoned musicians Daniel Stelling and Moritz Paulsen, formerly of the death metal outfit DIVIDE, Rats of Gomorrah channels over a decade of musical experience into "Infectious Vermin." The album's vocal diversity and lyrical narrative capture the essence of modern fears transmuted into dark tales replete with vermin-infested imagery. As these themes intertwine with relentless musical aggression, listeners are enveloped in an intense auditory experience that is both unsettling and invigorating. This is more than music; it is an invocation challenging listeners to confront their own discomforts amidst a world gone awry. Track listing Tracklist: 01. Swarming Death 02. Face No Consequence 03. Tails Unknown 04. Narcissus 05. Rise from the Abyss 06. Rattenkönigin 07. Night Orbit 08. Asleep on a Dagger 09. Strychnos 10. Towers, Ropes and Knives 11. Judas Goat 12. Cosmicide 13. Vat of Acid

Limited edition remastered tape, featuring exclusive artwork and packaging. Remastered About the album "Into the Infernal Regions of the Ancient Cult" marks the debut of Inquisition in 1998, a powerful offering that set a new standard in black metal. The album's remastered version enhances its raw and atmospheric sound, capturing the essence of the band's dark and mystical themes. The intricate guitar work and relentless drumming are complemented by Dagon's distinctive vocal style, creating a haunting yet captivating soundscape that transports listeners into an infernal realm. The album explores themes of occult mysticism and ancient rituals, drawing inspiration from various mythologies and esoteric traditions. Each track unfolds like a dark incantation, with lyrics that delve into the depths of darkness and spiritual transcendence. From "Unholy Magic Attack" to "Hail the Cult," Inquisition meticulously crafts a narrative that is both epic and introspective, inviting listeners to embark on a journey through time and space, into a world where shadows reign supreme. Track listing A1. Unholy Magic Attack A2. Those of the Night A3. The Initiation A4. Empire of Luciferian Race B1. Summoned by Ancient Wizards Under a Black Moon B2. Journey to Infernukeorreka B3. Into the Infernal Regions of the Ancient Cult B4. Mighty Wargod of the Templars (Hail Baphomet) B5. Solitary Death in the Nocturnal Woodlands B6. Hail the Cult

Black tape, limited to 50 copies. About the album With “Hammergeddon 666 - Die Katakomben betritt man nicht allein”, NOCTE OBDUCTA make a powerful and captivating return. This new EP once again demonstrates the unbroken creativity and experimental spirit of the band that has had a profound influence on the German black metal scene for decades. “Hammergeddon 666” is another testament to NOCTE OBDUCTA's ability to both honor the past and help shape the future of black metal. This EP is a must-have for anyone who appreciates the profound sonic artistry of NOCTE OBDUCTA. Track listing A1. Hammergeddon A2. Schorm A3. Blut, Bier, Dunkelheit A4. Faustphisto B1. Auf wortlosen Fluren (Gemälde derer, die schieden – Teil III)

White tape, limited to 50 copies. About the album With “Hammergeddon 666 - Die Katakomben betritt man nicht allein”, NOCTE OBDUCTA make a powerful and captivating return. This new EP once again demonstrates the unbroken creativity and experimental spirit of the band that has had a profound influence on the German black metal scene for decades. “Hammergeddon 666” is another testament to NOCTE OBDUCTA's ability to both honor the past and help shape the future of black metal. This EP is a must-have for anyone who appreciates the profound sonic artistry of NOCTE OBDUCTA. Track listing A1. Hammergeddon A2. Schorm A3. Blut, Bier, Dunkelheit A4. Faustphisto B1. Auf wortlosen Fluren (Gemälde derer, die schieden – Teil III)

Clear tape. "The Last Will and Testament" is a concept record of sorts. A restless musical journey in a way mirroring my own relationship with music as a consumer of it," narrates band leader Mikael Åkerfeldt. "I pick up something here, dismiss something there. I worship and I hate music at the same time. This ambivalence leads me down some type of creative path of my own and then, all of a sudden, a collection of songs has been written. Best case scenario, these songs are good enough to impress the band. Good enough for the "powers that be" in terms of the industry. Good enough for "you"?! I love this record. I have to say it (write it). Maybe I'm proud even? There are some familiar ingredients in there I suppose. Most of our music has sprung from the same source, so I guess it's not much of a shocker if it's going to sound like "us". I'm a bit in awe of what we did with "The Last Will and Testament". It feels like a dream. There is some "coherence" and "songwriting skills" I hope, but what do I know? I tend to favour the "strange" over the "obvious", but I feel like I'm in the minority, and that's fine. So…fair warning! Don't expect an instant rush (as per usual), but if you do "get it" (have you got it yet?) right away, that's ok too!" About the album Clear tape

Transparent orange yellow tape with 8 pages j-card. About the album Daedric Shryne is a heavy metal band hailing from Hamburg, Germany, formed in 2020. Inspired by a deep passion for heavy metal, the band merges hardcore and crossover influences with a touch of nostalgia from a certain early 2000s video game. The band's members have an extensive background in the metal scene, having been part of various acts such as Deathbearer, Heretoir, Voldt, Majak, King Apathy, Emissary of Suffering, The Cold, and Volditorium. Their debut album is a testament to their diverse musical roots and the unique energy they bring to the genre. The recording lineup for Daedric Shryne features Nils Groth on drums and backing vocals, Alex Shirazi as the lead vocalist and synth player, André Büchner on rhythm and lead guitars, bass, synths, and piano, and Frederic Eden adding dive bombs and backing vocals. All music and lyrics are written by the band, showcasing their creative unity and collective vision. Their sound is characterized by heavy riffs, dynamic tempo changes, and intense lyrical themes, ranging from battles and inner conflicts to dark reflections of power and downfall, as depicted in tracks like “Awakening” and “Dominion.” Produced by David Deutsch at 1408 Productions, the album’s raw and unfiltered sound captures the essence of the band’s aggressive yet intricate style. The band’s logo, created by Johannes Horas, and the cover art by Philipp Kruse perfectly complement the band's intense and thematic narrative. With their debut, Daedric Shryne positions itself as a formidable force in the heavy metal landscape, promising a relentless pursuit of musical intensity and storytelling. Track listing 1. Aether 2. Birth 3. Awakening 4. Dominion 5. Downfall 6. Reflection

2MC with 8-pages insert (300 copies, handnumbered). On the third regular PAYSAGE D'HIVER album "Die Berge" ('The Mountains'), mastermind Wintherr has perfectly captured the dark essence of his mountainous Swiss home beyond those pretty picture postcard landscapes. Ragged peaks that unfathomable tectonic forces have crushed upwards and out of the thin cold crust of this planet create a harsh and hostile environment for humans, which is reflected within the sound of raw black metal. Note for note, these grey giants of rock come awake to life in song. Majestic, powerful, dangerous, threatening, and yet also inherent of a fierce beauty, these massive tracks of epic length echo the huge proportions of their source of inspiration and amount to a playing time of more than 100 minutes. With each release, PAYSAGE D'HIVER narrate a new chapter of a continuing story about a mysterious protagonist called 'Der Wanderer'. "Die Berge" takes the wanderer into the 14th chapter, which might end up as his last. The main theme of "Die Berge" is death and this time the enigmatic wanderer's journey is comparable to that of a Zen monk who hikes to the peak of a mountain on feeling that his time has come. Founded in 1997 in the Swiss region of Bern, PAYSAGE D'HIVER remained a strictly underground phenomenon at first. Wintherr unleashed a steady stream of 10 full-length "demos" and 4 split-EPs that earned him an excellent reputation while a massive following grew by word of mouth. When the Swiss came "out of hiding" with "Im Wald" ("In the Forest") in 2020, their regular debut album even entered the German charts, which meant mainstream recognition despite standing firmly with both feet in the underground. With "Die Berge", PAYSAGE D'HIVER continue to expand the horizon of Nordic black metal without ever stepping away from their roots. Tracklist: 1. Urgrund 2. Verinnerlichung 3. Transzendenz I 4. Transzendenz II 5. Transzendenz III 6. Ausstieg 7. Gipfel About the album 2MC with 8-pages insert (300 copies, handnumbered)

MC with 8-pages insert (300 copies, handnumbered). "Schnee" ("snow") is omnipresent in the works of Swiss black metal artist Wintherr a.​k.​a.​ Paysage D'Hiver and turned into a four-part song cycle, released piece by piece on the compilation LP "Wurzelgeister" ('Schnee II', 2002) and on split records with Vinterriket ('Schnee I', 2003), Nordlicht and Drudkh ('Schnee III' and 'Schnee IV', 2017). All four tracks - created within a time span of almost 20 years and dealing with different facets of the frozen element - are now available together for the first time ever. They have been partly remixed and wholly remastered specially for this release. Tracklist: 1. Schnee (I) 2. Schnee (II) 3. Schnee (III) 4. Schnee (IV) About the album MC with 8-pages insert (300 copies, handnumbered)

Limited to 150 copies. About the album "Necrolution" is a retrospective, nostalgic album, that turns back time to the late 80s and early 90s era of death metal. Recapturing the essence and style of death metal that was the original formula. Recreating the aesthetic feeling of something from the original style and sound to represent to these modern times. It’s purposefully meant to sound dated as it represents an era of early death metal music. It purposefully does not mimic the band's own original style but rather reflects the styles of many early era bands that influenced generations in death metal music. Commented by Kam Lee: "With «Necrolution» the idea was to evolve the band's sound by devolving it. Unlike many bands in death metal that attempt to modernize and update their style and sound to emulate many of the modern contemporary death metal bands, we wanted to go back to the origin. The original sound and style. We wanted to make an album that sounds like it could have come out of the late 80s. The entire concept was to create something that was a de-evolution of the death metal genre and go back to an early style reminiscent of the past. Going back 40 years into the past to immolate the style of death metal that was predominantly influenced by thrash and heavy metal bands of the era. Lyrically it’s still entrenched in the horror genre and influenced by HP Lovecraft stories. We even have three tracks directly dedicated and influenced by the director Stewart Gordon, the filmmaker who was directly responsible for bringing Lovecraft films to horror movies in the 80s. The overall idea was to bring a 1980s aesthetic to the music that’s influenced by 1980s music as well as horror movie genre at the time. My hope is that fans find a unique experience when listening to «Necrolution» that not only encapsulates the feeling of 80s nostalgia but makes them appreciate the way the era influenced the death metal genre at the time." "Necrolution" was recorded at DOA studios, Full S Studios & Gojiden Studio in Florida (USA) and mixed and mastered by Jonny Pettersson at Studio Unbound in Sweden. The cover artwork was painted by Timbul Cahyono of Bvllmetalart. Mark Riddick (Arch Enemy, Autopsy, Morbid Angel) created the merchandise designs. The recording personnel for the new album - much of whom have been with MASSACRE since the "Resurgence" era - comprises, aside from Kam Lee, original MASSACRE bassist Mike Borders, returning guitarists Rogga Johansson (Paganizer, Rib Spreader, Megascavanger) & Jonny Pettersson (Wombbath, Heads for The Dead), and new drummer, Jon Rudin (Just Before Dawn, Heads for The Dead, Dehumanaut). The band features a separate session line-up for live performances, which consists of Carlos Gonzalez (Grim Reality) on guitars, Elden Santos (Druid Lord) on drums and Tim Wilson on bass. Formed in 1984, MASSACRE started out as a heavy/power metal band, but changed its style to death metal with the joining of Allen West and Kam Lee; the latter is often credited for inventing the "death growl" - first heard on the band’s 1986 demo "Aggressive Tyrant" - and is considered an influential pioneer as far as the death metal genre is concerned. The group went through several personnel shifts and disbandments over the years - with its early line-up toggling between MASSACRE, Mantas (early Death) and Death - to a triumphant return in 2021, with their last studio album "Resurgence". Track listing 1. Fear Of The Unknown 2. Xenophobia (Prologue) 3. Ritual Of The Abyss 4. Ensnarers Within 5. Death May Die 6. Chasm (Prologue) 7. The Colour Out Of Space 8. In The Lair Of Legacy Leeches 9. The Things That Were And Shall Be Again 10. Xothic (Prologue) 11. Dead-Life: ReAnimator 12. Shriek Of The Castle Freak 13. Curse Of The Resonator 14. Horrors Of Hidden Truth 15. Shroud Of Shadows 16. Ad Infinitum: The Final Hour

White tape with 8 panel j-card. About the album “Traurige Trinkerlieder” stands for itself. Hymns dedicated to alcohol. Sardonic songs of praise. Sung in a musty, shabby pub where the people are as old as the stories they tell, the tables are sticky, the light is a flickering, oily twitch and the landlord is the unfriendliest person for miles around. “Traurige Trinkerlieder” was recorded at Fleetenkieker's home in the summer of 2024, mixed by Patrick Urban (NatureSound Recordings) and mastered by Markus Stock (Klangschmiede Studio E). Lyrics and music: Fleetenkieker (“Höllenritt” is an interpretation of the Flemish folk song “Al die willen te kap'ren varen”) Marschland logo & layout: Irrwisch Artdesign Portrait photography: Lars Rubarth Artist: Pete Panic Track listing 1. Der saufende Nihilist (Menschenhasser I) 2. Das Totgelage (All enemies must die) 3. Höllenritt (Kaperfahrt) 4. Kneipengeister (Bis zum letzten Atemzug)

Wooden tape box set, limited to 25 copies, 20 white, 5 black tapes. Contains: · “The World Without Us” white tape with 4 panel j-card, limited to 50 copies, 20 copies in the box. · “Against Leviathan” white tape with 4 panel j-card, limited to 50 copies, 20 copies in the box. · New logo patch · Numbered certificate of autheniticity About the album The fourth Bonjour Tristesse album “The World Without Us” concludes a two-album spanning concept that began with the bands third release. The two records feature a radical critique of our industrialized modern age, highlighting the conflict between civilized humanity and nature. As the sole songwriter, Nathanael brings this cycle to a powerful end, offering a mix of raw violence, interspersed melodies, and manic vocals. The album critiques the destructive impact of industrialized civilization, painting a bleak picture of our dystopian reality. “The World Without Us” combines raw aggression with melodic elements, often swinging towards frenzy while maintaining an oppressive feeling with plaintive and powerful vocals. The references to anti-civilization thinkers and existentialist writers add a slightly poetic note to the album and bring more depth to powerful message behind Bonjour Tristesse. Track listing “The World Without Us” A1. Running on Emptiness A2. Lightbearer A3. The World Without Us B1. Against the Grain B2. The Great Catastrophe “Against Leviathan” A1. Turmoil A2. Nightbringer B2. Against Leviathan B1. Ode to Emptiness

Black tape with 4 panel j-card, limited to 50 copies, 5 in box set, 45 sold separately. · Tape with black shell and white print · Insert with 4 panels · Necrolobox About the album The fourth Bonjour Tristesse album “The World Without Us” concludes a two-album spanning concept that began with the bands third release. The two records feature a radical critique of our industrialized modern age, highlighting the conflict between civilized humanity and nature. As the sole songwriter, Nathanael brings this cycle to a powerful end, offering a mix of raw violence, interspersed melodies, and manic vocals. The album critiques the destructive impact of industrialized civilization, painting a bleak picture of our dystopian reality. “The World Without Us” combines raw aggression with melodic elements, often swinging towards frenzy while maintaining an oppressive feeling with plaintive and powerful vocals. The references to anti-civilization thinkers and existentialist writers add a slightly poetic note to the album and bring more depth to powerful message behind Bonjour Tristesse. Track listing A1. Running on Emptiness A2. Lightbearer A3. The World Without Us B1. Against the Grain B2. The Great Catastrophe

Black tape with 4 panel j-card, limited to 50 copies, 20 in wooden box, 30 sold separately. · Tape with white shell and black print · Insert with 4 panels · Necrolobox About the album The fourth Bonjour Tristesse album “The World Without Us” concludes a two-album spanning concept that began with the bands third release. The two records feature a radical critique of our industrialized modern age, highlighting the conflict between civilized humanity and nature. As the sole songwriter, Nathanael brings this cycle to a powerful end, offering a mix of raw violence, interspersed melodies, and manic vocals. The album critiques the destructive impact of industrialized civilization, painting a bleak picture of our dystopian reality. “The World Without Us” combines raw aggression with melodic elements, often swinging towards frenzy while maintaining an oppressive feeling with plaintive and powerful vocals. The references to anti-civilization thinkers and existentialist writers add a slightly poetic note to the album and bring more depth to powerful message behind Bonjour Tristesse. Track listing A1. Running on Emptiness A2. Lightbearer A3. The World Without Us B1. Against the Grain B2. The Great Catastrophe

Limited to 200 copies. Tracklist: 1. The God Devourer (05:10) 2. Ash of Ages (05:27) 3. Shadow Point (03:40) 4. Inferior Pathways (04:28) 5. Inner Portal (05:08) 6. The Vessel and The Storm (05:15) 7. Obscura (03:44) 8. Fatalist (05:51) About the album Limited to 200 copies

Transparent/Black tape with white print and 4 pages booklet, limited to 100 copies. · New dynamic master by Patrick W. Engel, approved by the band · Smoke clear/black tape with white shell print, limited to 100 copies only · Matte printed J card with 4 panels · Special layout for this tape edition About the album "Free-thinking, free-form grindcore from the grind majors that dismantles religious burden myth-by-myth" Napalm Death's "Smear Campaign," released in 2006, stands as a powerful statement against religious dogma and societal oppression. This album delivers free-thinking, free-form grindcore from the grind majors that dismantles religious burden myth-by-myth. With its relentless energy and incisive lyrics, "Smear Campaign" continues the band's tradition of merging ferocious soundscapes with thought-provoking themes. The album opens with "Weltschmerz (Intro)," setting a dark, ominous tone that quickly escalates into a barrage of blast beats, distorted riffs, and Barney Greenway's unmistakable growls. Tracks like "Sink Fast, Let Go" and "Fatalist" exemplify the band's ability to combine speed and aggression with intricate musicality and lyrical depth. The inclusion of guest vocalist Anneke van Giersbergen (ex-The Gathering) on "In Deference" adds a haunting melodic layer, contrasting sharply with the album's brutal intensity. "Smear Campaign" is not just an auditory assault but a call to question and dismantle the oppressive structures upheld by religious and political institutions. For fans of extreme music, this album is a testament to Napalm Death's enduring relevance and their unwavering commitment to challenging the status quo through grindcore. Track listing A1. Weltschmerz (Intro) A2. Sink Fast, Let Go A3. Fatalist A4. Puritanical Punishment Beating A5. When All Is Said and Done A6. Freedom Is the Wage of Sin A7. In Deference A8. Short-Lived A9. Identity Crisis B1. Shattered Existence B2. Eyes Right Out B3. Call That an Option? B4. Warped Beyond Logic B5. Rabid Wolves (for Christ) B6. Deaf and Dumbstruck (Intelligent Design) B7. Persona Non Grata B8. Smear Campaign B9. Atheist Runt

White tape with black print and 4 pages booklet, limited to 100 copies. · New dynamic master by Patrick W. Engel, approved by the band · White tape with black shell print, limited to 100 copies only · Matte printed J card with 4 panels · Special layout for this tape edition About the album "Free-thinking, free-form grindcore from the grind majors that dismantles religious burden myth-by-myth" Napalm Death's "Smear Campaign," released in 2006, stands as a powerful statement against religious dogma and societal oppression. This album delivers free-thinking, free-form grindcore from the grind majors that dismantles religious burden myth-by-myth. With its relentless energy and incisive lyrics, "Smear Campaign" continues the band's tradition of merging ferocious soundscapes with thought-provoking themes. The album opens with "Weltschmerz (Intro)," setting a dark, ominous tone that quickly escalates into a barrage of blast beats, distorted riffs, and Barney Greenway's unmistakable growls. Tracks like "Sink Fast, Let Go" and "Fatalist" exemplify the band's ability to combine speed and aggression with intricate musicality and lyrical depth. The inclusion of guest vocalist Anneke van Giersbergen (ex-The Gathering) on "In Deference" adds a haunting melodic layer, contrasting sharply with the album's brutal intensity. "Smear Campaign" is not just an auditory assault but a call to question and dismantle the oppressive structures upheld by religious and political institutions. For fans of extreme music, this album is a testament to Napalm Death's enduring relevance and their unwavering commitment to challenging the status quo through grindcore. Track listing A1. Weltschmerz (Intro) A2. Sink Fast, Let Go A3. Fatalist A4. Puritanical Punishment Beating A5. When All Is Said and Done A6. Freedom Is the Wage of Sin A7. In Deference A8. Short-Lived A9. Identity Crisis B1. Shattered Existence B2. Eyes Right Out B3. Call That an Option? B4. Warped Beyond Logic B5. Rabid Wolves (for Christ) B6. Deaf and Dumbstruck (Intelligent Design) B7. Persona Non Grata B8. Smear Campaign B9. Atheist Runt

Transparent/Black tape with white print and 4 pages booklet, limited to 100 copies. · Smoke clear/black tape with white shell print, limited to 100 copies only · Matte printed J card with 4 panels · Special layout for this tape edition About the album Napalm Death's "Time Waits for No Slave," released in 2009, is a relentless onslaught of grindcore fury and socio-political commentary. This album sees the band continuing to push the boundaries of extreme music, delivering a blistering blend of speed, aggression, and thought-provoking lyrics. Opening with the explosive "Strong-Arm", the album immediately plunges into a world of fast-paced riffs, blast beats, and Barney Greenway's guttural vocals. Tracks like "Life and Limb" and "Diktat" showcase the band's ability to seamlessly merge brutal intensity with intricate musicianship. The title track, "Time Waits for No Slave," serves as a poignant reminder of the fleeting nature of time and the urgency of addressing societal issues. Lyrically, the album tackles themes of personal autonomy, societal control, and the struggle against oppression. The band's unwavering commitment to these themes is evident in every track, making "Time Waits for No Slave" not just an auditory assault but a call to action. With this album, Napalm Death reaffirms their status as grindcore pioneers, delivering a work that is both musically and lyrically uncompromising. "Time Waits for No Slave" stands as a testament to the band's enduring relevance and their unyielding drive to challenge the status quo through the power of extreme music. Track listing A1. Strong-Arm A2. Diktat A3. Work to Rule A4. On the Brink of Extinction A5. Time Waits for No Slave A6. Life and Limb A7. Downbeat Clique B1. Fallacy Dominion B2. Passive Tense B3. Larceny of the Heart B4. Procrastination on the Empty Vessel B5. Feeling Redundant B6. A No-Sided Argument B7. De-evolution ad Nauseum

White tape with black print and 4 pages booklet, limited to 100 copies. · White tape with black shell print, limited to 100 copies only · Matte printed J card with 4 panels · Special layout for this tape edition About the album Napalm Death's "Time Waits for No Slave," released in 2009, is a relentless onslaught of grindcore fury and socio-political commentary. This album sees the band continuing to push the boundaries of extreme music, delivering a blistering blend of speed, aggression, and thought-provoking lyrics. Opening with the explosive "Strong-Arm", the album immediately plunges into a world of fast-paced riffs, blast beats, and Barney Greenway's guttural vocals. Tracks like "Life and Limb" and "Diktat" showcase the band's ability to seamlessly merge brutal intensity with intricate musicianship. The title track, "Time Waits for No Slave," serves as a poignant reminder of the fleeting nature of time and the urgency of addressing societal issues. Lyrically, the album tackles themes of personal autonomy, societal control, and the struggle against oppression. The band's unwavering commitment to these themes is evident in every track, making "Time Waits for No Slave" not just an auditory assault but a call to action. With this album, Napalm Death reaffirms their status as grindcore pioneers, delivering a work that is both musically and lyrically uncompromising. "Time Waits for No Slave" stands as a testament to the band's enduring relevance and their unyielding drive to challenge the status quo through the power of extreme music. Track listing A1. Strong-Arm A2. Diktat A3. Work to Rule A4. On the Brink of Extinction A5. Time Waits for No Slave A6. Life and Limb A7. Downbeat Clique B1. Fallacy Dominion B2. Passive Tense B3. Larceny of the Heart B4. Procrastination on the Empty Vessel B5. Feeling Redundant B6. A No-Sided Argument B7. De-evolution ad Nauseum

Limited to 666 copies. About the album "Servitude" stands as a poignant testament to The Black Dahlia Murder's resilience and evolution. Following the tragic passing of their esteemed frontman Trevor Strnad, the band bravely forges ahead with guitarist Brian Eschbach stepping into the vocal role. This album encapsulates the band's journey through grief and transformation, delivering a melodic death metal experience imbued with raw emotion and technical prowess. Each track resonates with haunting melodies and blistering riffs, taking listeners on an introspective exploration of themes surrounding mortality, legacy, and rebirth. The album's soundscape is both ferocious and intricate, showcasing The Black Dahlia Murder's signature blend of aggression and melody. Tracks like "Evening Ephemeral" and "Cursed Creator" are masterclasses in dynamic range, shifting seamlessly between relentless intensity and atmospheric interludes. "Servitude" not only pays homage to their past but also carves a new path forward, solidifying their place as stalwarts of the melodic death metal genre. Track listing A1. Evening Ephemeral A2. Panic Hysteric A3. Aftermath A4. Cursed Creator A5. An Intermission A6. Asserting Dominion B7. Servitude B8. Mammoth’s Hand B9. Transcosmic Blueprint B10. Utopia Black

Transparent tape, limited to 100 copies. 1. Paris des Maléfices (05:09) 2. Et que Vive le Diable! (05:35) 3. La Destruction des Reliques (05:51) 4. Dans le Coeur un Poignard (05:30) 5. Marianne (02:59) 6. Ivre du Sang des Saints (05:37) 7. Insurrection (07:33) 8. Le Vin du Condamné (08:06) About the album Transparent tape, limited to 100 copies

Limited to 200 copies. Tracklisting: 1. Nightfloating 2. A Chill That You Can't Taint 3. This Sickness Withered My Heart 4. Unsafe Spaces 5. Drifting 6. A Despicable Gift About the album Limited to 200 copies

1. Stjärnfall 2. A Distant Glow 3. Liminal 4. Galactic Blood 5. Thousand Doorless Rooms 6. Suffer Existence 7. Ro

Black tape. 1. Diablo 2. Where I Reign 3. Residue 4. Idle Hands 5. Trophies Of The Tyrant 6. Crucifixation 7. Tension 8. Everything I Hate About You 9. Toxic 10. Two Fists 11. Rage 12. Shrapnel 13. From Hell I Rise

Limited golden tape with 6 panel j-card. About the album "From Hell I Rise" marks a monumental entry into the thrash metal genre by Kerry King, invoking a raw and relentless musical force. The album is saturated with intense guitar riffs and rapid drum beats that carry the listener through a visceral auditory experience. Lyrically, it delves into themes of power, confrontation, and resilience, embodying the spirit of defiance and rebellion. Tracks like "Idle Hands" and "Trophies Of The Tyrant" stand as testaments to King's mastery in crafting anthems that are both aggressive and thought-provoking. The production by Josh Wilbur ensures that every note is delivered with precision and clarity, making it not just a collection of songs but an immersive journey through sound. The ensemble cast of musicians contributing to this album adds to its dynamic nature. Phil Demmel's guitar work complements King's signature style, while the rhythmic foundation laid by Paul Bostaph on drums and Kyle Sanders on bass creates a formidable backbone. Mark Osegueda's vocals soar with intensity, bringing each lyric to life with fervor. "From Hell I Rise" doesn't just listen; it commands attention, serving as a powerful statement within the thrash metal landscape. This album is an essential listen for enthusiasts seeking music that challenges and invigorates. Track listing 1. Diablo 2. Where I Reign 3. Residue 4. Idle Hands 5. Trophies Of The Tyrant 6. Crucifixation 7. Tension 8. Everything I Hate About You 9. Toxic 10. Two Fists 11. Rage 12. Shrapnel 13. From Hell I Rise